Stories of the Sixties

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About Swim

She doesn't even want men to know her name.


In three long stories, Scofield follows the journey of a young homeless woman searching for selfhood, purpose, and belonging.

It's the early Sixties. The Grateful Dead and free love are still around the corner. But the young woman in these three stories knows that sex is the coin of the realm. From Mexico to Mykonos, she's looking for a place to light, and she thinks she'll know when she's finally home. For sure she knows she doesn't want men to tell her how to live. She doesn't even want them saying her name.


In "Oh Baby Oh" the woman--let's call her "Baby"--hitchhikes from New York to San Francisco, to join a young man she met three years earlier. He wants to settle down in a conventional way, but she hopes he'll settle for her company long enough for her to plan her own future. She learns that her underlying contempt for an unsophisticated man is a sure way to be seen as contemptuous herself. Only the kindness of a young couple saves her from despair.


In "An Easy Pass" Baby spends a day at a tienta--the testing of brave bulls--on a bullfighter's ranch. There, she thinks she knows her place, and feels safe. After all, she amuses her host, and asks nothing of him, so feels superior to the other women who have gathered at the ranch. But when she capes a calf in the ring, her powerful host, with his cruel sense of play, lets her know where she stands in the world where she does not belong.


Finally, on the island of Mykonos, long before it became an Adriatic hot spot, Baby offers her friendship and guidance to two young soldiers on holiday. She helps them find a room, the best food, the best beach, and asks for nothing but their company. Only the soldiers are Oklahoma hardshell Baptist Christians. Confounded by Baby's insouciance, they scheme to save her from a rootless life, which sends her, in a fit of angry independence, straight out to sea.

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About Sandra J. Scofield

Sandra J. Scofield
Sandra J. Scofield
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Sandra grew up in Texas and was educated in Catholic schools. After college (University of Texas) she traveled and lived in Mexico, NYC, the San Francisco area, and Chicago. Later she did graduate work at Cornell, Northern Illinois University, and University of Oregon. She settled in Southern Oregon for twenty years, and has lived in Montana since 2005.

She was a public school and college teacher for ten years, and since then has devoted herself to writing and teaching writing (Iowa Summer Writing Festival; Lasell University's Solstice MFA Program), and to painting, an endeavor that developed after her move to Montana. (See sandrajscofieldart.BigCartel)

Sandra's first published writing occurred in a Catholic newsletter when she was seven: "I'm a Texan, tall and strong..." and writing has nourished her her whole life. She has received numerous awards, and was a finalist for the National Book Award for her novel BEYOND DESERVING. Her archives are housed at Texas Tech University's Sowell Library. As you would expect, she is an avid reader. Favorite authors include Mavis Gallant, Sybille Bedford, Tove Jansson, Shusako Endo, Claire Messud, Oliver Sacks; the poets Lisel Mueller, Emily Dickinson, Stephen Dunn, and Billy Collins, and the contemporary poets Kathi Aguero and Meg Kearney... the list goes on! She loves to watch European movies and mysteries on TV. Sandra has been married to Bill Ferguson, a Montana native and retired teacher, since 1975. She is a mother and grandmother. Some of her wonderful past students: Sarah McCoy, Ley Joy, James Anderson, Anita Amirreszvani, Deborah Taffa.

She has compiled her teaching files--resulting in THE LAST DRAFT: A NOVELIST's GUIDE TO REVISION, a companion book to the perennial THE SCENE BOOK: A PRIMER FOR FICTION WRITERS, both from Penguin, and is working on a 9th novel, based on her years as a child in Texas convent boarding schools. She loves books from New York Review Books, revisiting such wonderful classic authors as David Plante, Henry Green, Jean Giono, Elsa Morante, and Elizabeth Taylor.

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